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The Nightcap: 26 March

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50-year-old whisky from Highland Park, a new distillery on Whisky Galore island and David Beckham. It’s all on The Nightcap: 26 March edition. Get stuck in!  A whole week has…

50-year-old whisky from Highland Park, a new distillery on Whisky Galore island and David Beckham. It’s all on The Nightcap: 26 March edition. Get stuck in! 

A whole week has passed since we last filled our Nightcapping sack full of stories. Which means we get to do it all again this week. You might think that at some point not enough interesting things will happen in this lovely industry of ours and we won’t have anything to write about. But we’ve never had to find out. Because people keep doing cool, interesting or baffling things, like rebuilding a demolished pub brick by brick or putting whisky in mulberry wood casks. And we salute them for doing so. It means we’ve got another cracker of a Nightcap to enjoy this week. So, what are you waiting for? Read on!

If you like winning stuff by doing very little then the MoM blog was the place for you this week as we launched a bottle lottery for a shiny new Macallan whisky and a #BagThisBundle competition with Botanist Islay Dry Gin. If you enjoy smoky blends with plenty of history, fiery zero ABV drinks or bargain vodka you’ll also love this week’s work. There was also room on our blog for plenty of debate with Ian Buxton considering the potential of a whisky bust that could be coming soon and Henry asking if the G&T is a cocktail. Lucy, meanwhile, did some digging into the history of Hennessy Cognac as Adam’s attention was taken by Irish independent bottling and the Curious Bartender popped by to give us some top tips for making cocktails at home.

On The Nightcap: 26 March edition we take a look at the new 50-year-old whisky launched by Highland Park

The new dram certainly looks every bit as old and rare as it is

Highland Park launches 50-year-old whisky

Highland Park is flexing its considerable muscles this week by unveiling a new 50-Year-Old single malt. It’s just the third time a half-century whisky has been released in the distillery’s 223 year history, which should give you an idea of how significant this launch is. The 50 Year Old is the creation of a selection of nine refill casks laid down in 1968 that were married together in 2008 then re-racked into a handful of the finest first-fill sherry seasoned oak casks. Then, after a further 12 years of maturation, one of these limited casks was selected and married with a small quantity of the whisky from the 2016 release of 50 Year Old which in turn contained some whisky from the 2010 batch. Highland Park is describing this as a ‘solera’ as used in the sherry industry, which isn’t quite accurate, but certainly sounds colourful. Gordon Motion, Highland Park master whisky maker, described it as “spectacular”. He reveals the spirit has both the rich sherried flavours from its final first-fill cask maturation, as well as all the delicate fragrance and flavours driven by the original refill casks. The whisky comes in a hand-made walnut box courtesy of John Galvin and the design has all the hallmarks of the Norse heritage Highland Park likes to reference nowadays. Of course, all of this comes with a considerable price tag of £20,000, so it’s unlikely any of us will get to taste it. Still, there’s plenty of tasty Highland Park expressions to enjoy right here, which is a solid consolation. 

On The Nightcap: 26 March edition we take a first look at a new distillery on Whisky Galore island

Yes it looks like every other computer-generated distillery design

Whisky Galore island getting its own whisky distillery

The island where author Sir Compton Mackenzie set his classic novel Whisky Galore is about to welcome its first-ever whisky distillery. The team behind the Isle of Barra Gin brand plans to create a new purpose-built whisky and gin distillery and visitor centre on Barra, where the original movie was filmed. The £5m project will serve as the new home to the existing 300-litre Barra gin still, ‘Ada’ and have a plant for bottling and bonded warehousing, a small café/bar and a retail area, all while creating at least 30 new local jobs. Whisky veteran Alan Winchester (of Glenlivet fame) has been brought on board to put his 40+ years of experience to good use, guiding Isle of Barra Gin founders Michael and Katie Morrison and helping to establish a flavour profile. The plan is for the site to be powered by renewable energy and for it to be built with sustainable materials, while a green travel plan that will limit the number of visitors driving to the site is also in development. Once completed, the distillery will be capable of producing over 300,000 bottles of single malt per year, with the firm planning to use spirit matured in a mix of ex-bourbon barrels, Cabernet Sauvignon casks and Oloroso sherry casks. The founders say the idea is to create a spirit that represents its island home and also reveals that ever since the launch of Isle of Barra Distillers, they’ve consistently been asked if they produce whisky because of the instant connection people make with the much-loved film and the book. If all goes well they should break ground in the middle of next year. Though you’ll have to wait a good while before it’s whisky galore on Barra.

Method and Madness creates world’s first mulberry wood whiskey

One of the many interesting things about the Irish whiskey industry is that it allows producers to mature their spirit in casks other than oak. And that leads to all kinds of cool and curious creations. Like the latest Method and Madness expression. No strangers to experimental ageing, the brand is launching a new single pot still Irish whiskey finished in virgin white mulberry wood. It’s thought to be the first time anyone has used this wood type for maturing whisky. It’s sourced from Hungary, where its air-dried for two years at the Kádár sawmills in Tokaj before being transferred to a cooperage in Budapest. The Irish Distillers brand reveals the casks are just 50-litres which, combined with high porosity and medium toasting, imparts elevated flavours of wood spices and toffee sweetness. Before it was finished in the mulberry wood casks (for around three to eight months), the single pot still whiskey was matured in a combination of first-fill and re-fill American oak barrels. Finbarr Curran, Midleton’s wood planning and maturation team lead, says the innovation is the third world’s first in the Method and Madness range and that the brand’s commitment to wood experimentation and maturation has “taken us all over the world and led to the development of some of the most exquisite Irish whiskeys”. Adding: “It’s been a joyous journey of discovery and we look forward to continuing this exploration as we keep pushing the boundaries of what’s possible in Irish whiskey.” Oh, and while we’re talking about Irish Distillers, congratulations are in order for Brendan Buckley, the company’s international marketing director, who has been inducted into the Whisky Magazine Hall of Fame to recognise his contribution to the growth of the Irish whiskey category on the global stage. Slainte, Brendan!

On The Nightcap: 26 March edition we hear about the wonderful tale of a pub revival

The Carlton Tavern before demolition

Demolished London pub rebuilt brick by brick

It sounds like something from the plot of a feel-good film. Developer bulldozes historic pub illegally, locals rally round and the council orders developer to rebuild the pub. And they actually do, brick-by-brick in an exact recreation of the pub’s glory days. But this is exactly what happened to the Carlton Tavern in Maida Vale, west London. The pub closed in April 2015. Just before being granted Grade II listed status, the owner, a company with the perfectly sinister name of CTLX, demolished it having previously been denied permission to convert it into flats. Following a campaign by locals led by Polly Robertson, Westminster Council ordered the pub rebuilt, and against all expectations, it happened. Cleverly Robertson and Historic England took plaster casts of every tile because “we had a suspicion before the demolition that they would do something,” she said to the Guardian. Apparently, though, CLTX did a great job of rebuilding the pub which is now in the safe hands of Tom Rees and Ben Martin of Homegrown Pubs and will be opening soon. We just can’t wait for the film version starring Julie Walters, and Steve Coogan as one of the slippery property developers. 

On The Nightcap: 26 March edition we welcome the revived White Heather Scotch whisky brand

White Heather is back, everyone!

The GlenAllachie revives blended whisky brand White Heather

You may know the brand for its considerable range of tasty single malts often aged in intriguing cask types, but GlenAllachie now has its own blended Scotch. It’s called White Heather, you know, like that whisky brand which was discontinued in the 1980s. The rights to it were acquired by The GlenAllachie Distillers Company in 2017, along with the distillery itself and MacNair’s Lum Reek. The blend was concocted in the GlenAllachie Distillery lab by master distiller Billy Walker, whose recipe has a high single malt content, with whiskies coming from the Highlands, Islay and Speyside. Of course, some vintage GlenAllachie is in there too. The whiskies spent an initial 18 years maturing in a combination of first-fill American barrels, sherry butts and second-fill barrels and hogsheads, before an additional three years in a mix of Pedro Ximénez puncheons, Oloroso puncheons and Appalachian virgin oak casks. This means the youngest whisky in this blend is 21-years-old. This factor, as well as there just 2,000 bottles available worldwide and the fact that it’s bottled at 48% ABV with no added colouring or chill-filtration explains the £120 price tag. Walker, who celebrates 50 years in the whisky industry next year (and joining Brendan in the Hall of Fame), says White Heather is particularly close to his heart as it took him back to when he began his career at Hiram Walker, where learned the art of blending. “With White Heather, I poured everything I’ve learned on my whisky journey into crafting a truly memorable small batch aged blend that sits proudly alongside even the very best single malts”. You can see for yourself how he’s done, as White Heather will be available from MoM Towers soon…

On The Nightcap: 26 March edition we've got the lovely David Beckham and his new shiny new whisky.

Blend it like Beckham

Mediterranean Orange Haig Club coming soon

There’s a new Haig Club on the way! Don’t all rush at once. It’s fair to say that Haig Club since it was released in 2016 has taken a bit of a battering, as you can see from the ratings on the Master of Malt website. With its, if we’re being very polite, discrete flavour profile, it hasn’t caught the imagination of whisky fans. We reckon, however, that a new expression might be rather nice. It’s called Mediterranean Orange and according to the press bumf, it was “created in collaboration with brand partner, David Beckham.” Actual David Beckham himself commented: “Developing Haig Club Mediterranean Orange has been in the works for some time now and I’ve enjoyed helping select the final liquid. The orange perfectly complements the signature Scotch notes of Haig Club and it’s a great long drink for summer.” This new expression is not a whisky but a spirit drink flavoured with orange, sweetened and weighing in at 35% ABV which we think plays to Haig Club’s strengths, that discrete flavour profile. Violeta Andreeva, whisky marketing director, Diageo described it as “an exciting step forwards for dark spirits,” (dark spirits, lol!) and continued: “We see this as a huge opportunity to recruit a new generation of drinkers as more and more consumers are choosing flavours and sweeter drinks.” We have to admit, in a long drink with lemonade or tonic water, it sounds delicious. Just don’t offer it to your mate with the Ardbeg tattoo.

On The Nightcap: 26 March edition we learn not to mess with the SWA

It does look quite Scotchy

SWA files lawsuit against Canadian whisky producer over ‘Caledonian’ name

Vancouver’s Caledonian Distillery makes much of its Scottish heritage. Well, there’s the name for example. And it was set up in 2016 by a team of Scots including founder Graeme Macaloney and former Diageo master distiller Mike Nicolson with the late Jim Swan as a consultant. Products include Scotch-style single malts as well as Irish-style pot still whiskies. Now, as reported in the Spirits Business, the SWA has weighed in: “We have objected to the company’s use of certain words and terms that are strongly associated with Scotland on their whisky products,” a spokesperson said. Those words being  ‘Caledonian’, ‘Macaloney’, ‘Island whisky’, ‘Glenloy’, and ‘Invermallie.’ The SWA claim that they violate Scotch whisky’s GI and has filed a lawsuit against Macaloney. The firm issued a statement: “We are proud to celebrate our heritage including the Scottish ancestry of our founder and the story of his family, and firmly believe we have the right to do so in a way that celebrates both that history and reputation as a leading Vancouver Island craft distillery.” It will be interesting to see whether the two sides can come to a compromise. The SWA lost a lawsuit in 2009 against another Canadian Distillery, Glen Breton. We’ll keep you updated. 

On The Nightcap: 26 March edition we feared we might win a competition you don't want to win...

Just remember all the good times before you go submitting us…

And finally… the search is on to find the worst tasting note 

Have you ever read a drink description that has left you amused, bemused or tearing your hair out with rage? Now, and not before time, satirical drinks website Fake Booze has launched a competition to find the worst tasting note. Whether it’s wine, beer, whisky or baijiu, according to Fake Booze, “if it’s crap it’s a contender.” The #thecrappies will feature a number of categories including ‘most pompous’, ‘crappiest food match suggestion’, and ‘most sexist.’ We have a top tip for that last category. You can enter with the #crapnotes hashtag on Twitter or send a DM to @fakebooze on Twitter/ fake.booze on Instagram. The winner will be announced at a star-studded ceremony in June, or maybe just on the Fake Booze website. It’s all highly amusing, but what if someone at Master of Malt wins? It won’t be so funny then.

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Inside the archives at Irish Distillers

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You might not be familiar with the name, but Irish Distillers – maker of Jameson, Powers, Redbreast and more – is an Irish whiskey linchpin, and not just because it’s…

You might not be familiar with the name, but Irish Distillers – maker of Jameson, Powers, Redbreast and more – is an Irish whiskey linchpin, and not just because it’s the country’s largest distiller. Without it, Ireland’s national spirit would’ve been consigned to the history books. Here, archivist Carol Quinn delves into the company’s history and shares insight into her own fascinating role…

Until the 1960s, never had a drink category’s future hung so heavily on the cooperation of three rival companies. It’s no exaggeration to say that without the ingenuity and flexibility of Cork Distilleries Company, John Jameson & Son and John Power & Son, Irish whiskey would’ve been toast. It certainly wasn’t part of a plan to monopolise the industry – the three family-owned producers pulled together as the category collapsed around them. 

“The 20th century had not been kind to Irish whiskey, and that’s an understatement really,” says Irish Distillers archivist Carol Quinn. “ In the 19th century it was sold all over the world – I have records from Cairo, Uruguay, Honolulu, Portugal, Germany, Australia, New Zealand, Canada… you name it, Irish whiskey was sold there. And it was a very high-end, prestigious drink. It was sold in places where customers ordered Cognac, Champagne.”

The success of the category started to unravel with the arrival of the first world war. Irish whiskey trade was export-led, says Quinn, and there was a lot of submarine activity around Ireland, being the last stopping-off point before you cross the Atlantic to America, so shipping was restricted. It was a blow, but despite the turbulence, Ireland’s distillers simply knuckled down and carried on.

“I see this in the Jameson records,” she says. “In 1919 – when the war was over and the restrictions were lifted – they had their best distilling season ever. They were producing more whiskey than ever and were delighted with life. Which was unfortunate, because in 1920, Prohibition hit America. While they hadn’t been selling in America for a few years anyway because of the first world war, Prohibition meant they weren’t going to re-enter it for a long time.”

Carol Quinn in the archives

For a decade, this wasn’t too disastrous. Ireland’s distillers were still exporting to the likes of Australia, Canada, New Zealand and beyond. But that came to an end in the 1930s, says Quinn, when Ireland entered into an economic trade war with Britain and lost any territory associated with the British Empire.

“Now at this point, they’re frightened,” she says. “This has been 20 years of bad times. And then you go straight into the second world war, and that’s the killer blow. In the 1940s and 1950s you see distillery after distillery closing. They just didn’t have the money to recoup what they’d lost, even when the export markets opened back up. There were a number of years in the 1950s when Old Midleton was only distilling three weeks a year.”

By the 1960s, the only three distilleries left open were – you guessed it – John Jameson & Son and John Power & Son, both in Dublin; and Midleton, owned by Cork Distilleries Company. Irish whiskey had shrunk to the domestic market, says Quinn, and it was still an expensive drink. It became clear that the three distilleries would wipe themselves out if they remained in competition. 

“At the time, those three distilleries were owned, managed and run by the descendants of their founders,” she says. “Frank O’Reilly, of Powers, invited the other two companies – John Jameson representing Jameson and Norbert Murphy representing Midleton – to come together and discuss the situation. They met in secret at the home of Shane Jameson under the guise of a country house weekend and formulated this incredibly radical idea that they would merge; combining all their resources with the express intention of saving Irish whiskey.”

After two years of negotiations – there was a lot to work out, after all – Irish Distillers formed in 1966 (it’s now part of Pernod Ricard). From there, they set about rebuilding the category, starting with their own blends. In 1975 they refurbished and reopened Midleton Distillery as Europe’s most modern distillation plant, not only to distil their three very different styles of whiskey – Powers, Jameson and Midleton – but improve on them, too. 

“The idea was never simply to replicate the past, it was to build upon it and to look forward and to move forward,” says Quinn. “Irish Distillers has always been incredibly progressive and fostered innovation, because it was born out of necessity and dangerous times. The guiding principle was to create a situation where we wouldn’t be the only distiller – where there would be such an interest in the Irish whiskey category that new entrants could come on stream.”

Barrels of Jameson ready for export, circa 1950

Irish Distillers’ forward-thinking ethos is unrelenting to this day. Throughout the 1980s, head distiller Barry Crockett laid down single pot still stocks at a time when this signature style of whiskey wasn’t selling, while operations manager Brendan Monks set about implementing a cask management programme that’s seen in the company’s recent releases, from the resurrection of Green Spot, Yellow Spot and Red Spot to the development of its pioneering Method and Madness range. 

Fascinating stuff you’ll agree, and as Quinn continues her mammoth undertaking of cataloguing Irish Distillers’ vast archive, who knows how many more pieces of Irish whiskey history will emerge. Here, she shines a light on the everyday aspects of her incredible job, from archival training basics to historically significant finds…

Master of Malt: First of all, could you share a little about your own career and how it led to your role as Irish Distillers’ archivist?

Carol Quinn: I’m an archivist by training. It’s a very old profession, and there aren’t too many of us about. It’s a graduate qualification and you have to have your primary degree first. My BA was in history and archeology, so I always had an interest in the past, but not so much in dates or events – it was the more the stories of people and how the past could shine a light onto the lives of individuals. That’s why I like the archive. These letters, diaries and ledgers provide clues to the past, they’re literally the raw material of history. As an archivist, my job is to be a bridge between the items and the end user, which at the moment is Irish Distillers.

MoM: You mentioned letters, diaries and ledgers. What other records are kept in the Irish Distillers archive?

CQ: Everything relating to the production and the sale of our whiskies. Our distilleries were founded back in the 18th century, so there’s well over 200 years’ worth of records. One thing that’s very important are the employee wage books. At their most basic, they give you the name of the individual, the part of the distillery they were working in, the hours they worked and what they were paid. We don’t have a great tradition of record-keeping here in Ireland, and a lot of our official records were destroyed in the 1920s during the Civil War – so for a lot of people mentioned in Jameson’s wage books from the 1860s, there’s no other record of them living on this earth. Although the archive isn’t open to the public, if somebody contacts us I will have a look to see if I can find the name of their ancestor. Sometimes you can, sometimes you can’t, because we don’t have a complete set and it’s very time-consuming – it literally means taking a huge ledger off the shelf and going through it page-by-page – but I realise how valuable it is when people find that link. The Irish community is huge across the globe, so I get people from Canada, America, Australia, New Zealand, enquiring about grandfathers, great-grandfathers… It’s lovely.

It’s the actual notebook of John Jameson II

MoM: That is wonderful. How vast is the archive, what does it look like?

CQ: We have a purpose-built archival repository located in the distillers’ cottage in Midleton. The rooms are temperature controlled, humidity controlled, they’ve UV filters in all the lights and there’s no natural daylight allowed in. That’s where the records are kept. Some of them are digitised, but digitising records doesn’t preserve them, all that does is make access easier so you can search for things quicker. There’s nothing like a handwritten letter to really give you a connection with an individual. They’ve touched that page, they’re folded it with their hands. It’s a very different experience and I find it very visceral. 

MoM: That must feel overwhelming at times! I’d be terrified of damaging it…

CQ: That’s where the archival training comes in, in that we’re taught how to physically handle the material, how to catalogue it properly and how to preserve it. With some of our ledgers, I won’t even open them because I know if I do I’m going to damage them further, so I’ll send them to a man called Paul Curtis first. He’s based in Killarney at Muckross Bookbindery, and he’s trained as a book binder and paper conservator. When I did that for some of our items about six years ago, one of them was this little pocket notebook. It looked early 19th century to me, but again, I wasn’t going to go through it because I thought it was too fragile. When Paul took it apart he discovered that it was the actual pocket notebook of John Jameson II – the son of one of our founders – and it contained his mashbill recipes for Jameson whiskey from 1826, when he was  head distiller. When Paul took the binding apart to clean it down and re-sow it, out fell actual grains of barley from the Bow Street Distillery that John Jameson would’ve scooped up into his pocket as he was distilling.

Inside John Jameson’s notebook with those grains of barley

MoM: Fascinating! That certainly isn’t an everyday discovery  – what can we find you doing in a ‘typical’ week?

CQ: I often start the week in the distillers’ cottage in Midleton checking emails to see what’s come in over the weekend. Very often I’ll be on the train to Dublin mid-week – I might be giving a talk, doing some promotional work sharing our history or [liaising] with our marketing teams. Then, you’ll find me back in the archive doing the never-ending job of trying to catalogue such a vast collection! Sometimes I’ll take out a selection of items for our brand teams or the creative agencies who work with us to offer inspiration. Very often, a colour or font or some little nugget will spark the creative process. Recently we’ve had a repackaging of the Powers range; the design team came down – their brief was to give it a refresh – and when they looked through the records, this emblem absolutely jumped out at them. In the internal correspondence for Powers, instead of the name, they would write this diamond ‘P’, it was on everything. When you look at the new bottle, that’s what you see and it comes directly out of our history.

MoM: In your opinion, what are the most historically significant pieces in the archive?

CQ: What I really enjoy personally is the human element within the records. A few years ago, an elderly woman called up looking for a record of her grandfather, a man called James Leetch, who was a clerk in the spirits store in Jameson Bow Street. She remembered living with him as a young girl with her mother and sister. One day he went down to the cooperage and brought back a stave from a sherry butt, one of the largest of barrels, for her and her sister to use as a see-saw. I thought that was just lovely. The distilleries weren’t separate from the communities that they were located in; they were very much part of it. 

 

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Master of Malt tastes… Redbreast 27 Year Old

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We got a chance to go to Dublin this week to try the oldest permanent Redbreast expression ever released: Redbreast 27 Year Old Irish Whiskey. We travelled to the Irish…

We got a chance to go to Dublin this week to try the oldest permanent Redbreast expression ever released: Redbreast 27 Year Old Irish Whiskey.

We travelled to the Irish capital this week in the company of Midleton Distillery master blender Billy Leighton, blender Dave McCabe and head of maturation Kevin O’Gorman to launch the most exciting whiskey to come out of the distillery in about a fortnight. All jokes aside, it’s new Redbreast, folks. It’s 27 years old, it’s bottled at a cask strength 54.6% ABV and it’s joining the core range, making the oldest permanent expression from the brand.

It’s an impressive showing from the distillery in a week in which we celebrated Irish Whiskey Day (3 March), chosen because of Ireland’s connection to the number, from the leaves on a shamrock to the colours in the flag and the three types of Irish whiskey: single malt, single grain and single pot still. The latter is a source of particular pride as it can only be made in Ireland. For those unfamiliar with the style, it’s made from a mix of malted and unmalted barley, in contrast to single malt whiskeys which use 100% malted barley, which provides a creamy and spicy character to the spirit.

Redbreast is the biggest-selling pot still whiskey globally and never seems to stop winning awards, notably taking home the prize for World Whisky Trophy at the International Wine and Spirit Competition in 2019 for Redbreast 12 Year Old, which scored a remarkable 98 points. Although, it may well have competition next year from the latest release, which joins the 15, and 21-year-old whiskies in the Redbreast range, as well as the Lustau Edition.

Redbreast 27 Year Old

Master blender Billy Leighton and blender Dave McCabe crafted the whiskey from four different cask types

Redbreast 27 Year Old, which will be made in “limited quantities on an ongoing basis” and is priced at RRP €495, marks something of a departure from the rest of the range in that it was partially matured in ruby Port barrels. Leighton made it clear at the launch event that it’s a single pot still whiskey made in in the Redbreast style. “On the label, it says ‘enriched by ruby Port casks. I want to make it clear it’s not a Port cask finish, it’s a component,” he says. “Rewind back to 1995 we got some freshly seasoned Port casks and we put a six-year-old single pot still into those casks. What we have here is a combination of four cask types: first-still bourbon and refill bourbon, first-fill oloroso sherry casks and first-fill ruby Port pipes”.

On the brand’s website, there’s a comment that reads, “The sherry flavour profile of our Redbreast whiskey is perhaps the most beloved part of our whiskey for many of our loyal followers”, so it is interesting to see Redbreast flexing its maturation muscles. Fans may be concerned that the classic profile may be lost in this experimentation. In the press release, Leighton says that McCabe and he “Drew on our experience of working with sherry and other wine casks over the years as we have evolved the range. This time, we wanted to push the boundaries and yet create an expression that would seamlessly take its place at the head of the family,” while McCabe added that the ruby Port barrels “contribute notes of mango, pineapple and berry to the robust flavour of Redbreast 27 Year Old, clearly distinguishing it from the previous expressions in the collection, treading a beautiful balance of tradition and innovation.”

It’s worth noting that, while consumers have seen little evidence of this until now, Irish Distillers relationship with Port goes back almost as far as it does with oloroso sherry. It started over 30 years ago, in the late ’80s. Having already established contacts and a supply line for oloroso sherry casks from Jerez de la Frontera, O’Gorman said that “the challenge was to get something different. My predecessor Brendan Monks came up with the idea of going to Portugal”. Irish Distillers was put in contact with the people at Sandeman Port, who at first were a little resistant. The relationship grew, particularly thanks to Alex Burmester, who worked for Sandeman at the time and was also present at the event. He no longer works for Sandeman, but still helps Irish Distillers operate in the world of Port.

Redbreast 27 Year Old

Portugal’s stunning Douro Valley, the home of Port

Once it had established a supply of Port, Irish Distillers then got in contact with the Tacopal cooperage, which has worked with oak for more than a century, to obtain casks. Today, Irish Distillers now imports between 40-60 European oak 500 litre port pipes annually. The wood is medium-toasted and seasoned with red wine for approximately 12 months before ruby Port is added for approximately 12 months. O’Gorman explained that the process was a response to “the challenge of seasoning Port. If you put it into a virgin oak cask, you’re going to get a major wood contribution. One of the techniques we figured out right from the start was that we needed to take some of these tannins and wood compounds out from the start,” O’Gorman explains. Overall it’s a two-year process for Irish Distillers.

The Port is emptied and the pipes are sent over to Cork. “Our friends back in Portugal get a good deal as they get to keep the Port,” O’Gorman explains. “The casks are then inspected at Midleton. We nose them to make sure the aromas and flavours are perfect and then they’re filled with our whiskey to sleep for many years”. If you want a good idea of what Midleton distilled whiskey matured exclusively in the Ruby Port pipe tastes like then all you have to do is get your hands on Midleton Method and Madness Single Pot Still 28 Year Old, because that’s the closest you’ll likely get.

This long-standing relationship with Port demonstrates that Redbreast 27 Year Old is not the brainchild of a marketing department trying to stir-up some intrigue. The truth is, the addition of the Port cask doesn’t compromise the Redbreast character. Instead, it compliments it beautifully. Redbreast 27 Year Old is every bit as impressive as it needs to be. How fruity, ripe and almost youthful it is in parts despite its age and considerable cask influence is remarkable. 

Redbreast 27 Year Old

Redbreast 27 Year Old

“This is traditional Irish pot-still at its richest: well matured and with a generous slug of sherry. For some lovers of this style, Redbreast approaches perfection,” famed whiskey author Michael Jackson once wrote. This event revealed why Redbreast can be that good. It’s a testament to the power of great blenders understanding how to utilise great casks. At the event, Leighton talked at length about how much time, money and effort he and his team spend on casks and how much their role is defined by handpicking the right ones. I can confirm they’re on the money here. 

Redbreast 27 Year Old Irish Whiskey Tasting Note:

Nose: The ex-bourbon cask influence emerges first with a layer of earthy vanilla, desiccated coconut and toffee before a tropical fruit note emerge – mango and pineapple mostly – which is to be expected from well-aged Midleton distillate. In the backdrop, there’s ripe orange citrus, candied walnuts and a touch of oloroso sherry sharpness. Stewed plums, figs and ripe red apples add a rich and fruity undertone.

Palate: The array of dark and red fruits is beautiful, with black cherries, cranberry juice, blackcurrant compote, prunes and nectarines all present. Old leather, peppermint and a little grapefruit tartness develop among more tropical elements of guava and caramelised banana. Charred red chillies bring an earthy warmth which is complemented by exotic spices and a lick of manuka honey.

Finish: The notes from the palate stay for what feels like an age (a very pleasant age). The impressive and long finish has all the complex fruity notes that have defined this dram, as well as nutty antique wood, aromatic nutmeg, a handful of fresh herbs and the slightest hint of wasabi heat.

Overall: The vibrancy of those fruit notes are astonishing and the star of the show. Redbreast 27 Year Old is a beauty and does not disappoint.

Redbreast 27 Year Old Irish Whiskey is available from Master of Malt here. 

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News

Midleton launches its oldest ever whiskey

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Midleton Distillery has announced the launch of the Midleton Very Rare Silent Distillery Collection, which kicks off with the most expensive Irish whiskey ever… This week we were fortunate to…

Midleton Distillery has announced the launch of the Midleton Very Rare Silent Distillery Collection, which kicks off with the most expensive Irish whiskey ever…

This week we were fortunate to be among the happy few who got to taste the latest release from Midleton Distillery at an event in London in the company of master distiller Brian Nation and archivist Carol Quinn. On tasting was the snappily-titled Midleton Very Rare Silent Distillery Collection Chapter One, the first in a collection of what the brand has termed ‘Ireland’s oldest ever whiskey collection’. 

The Cork-based distillery plans to release six different 40 to 50-year-old whiskies, once a year, between now and 2025. The first release is a 45-year-old peated single Irish malt matured in a third-fill sherry cask and bottled at a cask strength 51.2% ABV. Nation explains this decision to launch this bottling was “down to taste profile and volume left. This whiskey has lost 87% of its volume when it matured. I really did feel like now was the right time to release it”.

Midleton Very Rare Silent Distillery Collection Chapter One dates back so far that it wasn’t made by Nation’s predecessor, the legendary Barry Crockett, but his predecessor and father Max Crockett. He laid down this whiskey in 1974, a year before the original distillery closed. That’s right. This is old Midleton whiskey. A 45-year-old single malt from the fabled silent distillery. It’s the first release from the stocks of this distillery in 16 years, and Nation described it as a “true unicorn whiskey”.

Midleton Distillery

There was a chance to taste the stunning single malt at the launch event this week

The original Old Midleton Distillery in Cork operated from 1825-1975 and while other silent distilleries have reopened and been brought back to life, Old Midleton has been fully decommissioned and will never produce again. Despite its early success and it being home to a 31,618-gallon pot still, the largest ever built, even Old Midleton couldn’t stem the tide of the decline of Irish whiskey. Political strife, Prohibition and the rise of blended Scotch meant that by 1966 only three companies remained, John Power & Son, John Jameson & Son and the Cork Distilleries Company (which owned the Old Midleton distillery), who merged to form the Irish Distillers Group. They closed all existing distilleries and consolidated production at a new facility built at Midleton, next door to the old distillery, and production began in July 1975.

It was at the Old Midleton  Distillery, which is now an Irish whiskey museum and visitor centre, that Midleton Very Rare Silent Distillery Collection Chapter One was created as part of a series of innovative trial batches, never repeated, with peated single malt whiskey. Given the relative rarity of peated Irish whiskey, this makes the releases all the more intriguing. It was Max Crockett who distilled this innovative brand of Midleton spirit from 1964 to 1974 and Nation him with establishing the standard for Midlton distillers, with an approach that prioritised “attention to detail, the spirit of innovation and the respecting what’s come before”. He adds that being next to the old distillery is a good reminder of this. 

Barry Crockett, who unfortunately could not attend the event, explained in a recorded interview that his father started his career in one of the Cork distilleries before he became a distiller at the young age of 32 and he spent the rest of his career at Midleton. “He was very professional about his business, he wasn’t a man that would be easily crossed and he was a man from whom I learned a lot over the years,” he says. “The distillation process in the old distillery was the traditional distillation system which had existed 100 years previously. Back then the whole process was much more hands-on. People relied an awful lot on a sense of aroma, a sense of taste and the visual aspect. A lot of effort was put into developing and refining the distilling methods. Part of that was the development of the peaty single malt my father made just prior to the old distillery closing. It’s a remarkable story”.

Midleton Distillery

The 31,618-gallon pot still this whiskey was distilled in can be seen outside the Old Midleton Distillery to this day

In the press release, Barry Crockett revealed that Midleton Very Rare Silent Distillery Chapter One was among the very last remaining whiskies to be distilled through the largest pot still in the world, which described as “a skill which in its own right required great refinement of the distiller’s art”. He added that this expression represents “The ultimate heirloom and memento of the dedication to precise malt preparation, brewing and distillation skills of generations of distillers at Midleton.”  

There’s even history in the presentation of the whiskey, as the wooden cabinet it’s presented in was handcrafted by Irish designer, John Galvin, using wood up to 200 years old from ancient reclaimed whiskey vats. The distillery was obviously very keen to emphasise the luxury aspect of Midleton Very Rare Silent Distillery Chapter One, which explains it being decanted into hand-blown and etched Waterford Crystal decanter bottles, each individually numbered and displayed.

The bad news is that all of this rarity and prestige comes at a price. Just 44 bottles of Midleton Very Rare Silent Distillery Chapter One will be made available at £32,000 each, making it the rarest whiskey in the collection. It’s available at Harrods, Midleton’s website and in some travel retail, but sadly the reality is this is one of those bottlings that will elude most whiskey fans. So, for those who won’t get the chance to taste it themselves, here’s our MoM tasting note. Sláinte!

Midleton Distillery

Midleton Very Rare Silent Distillery Collection with Chapter One

Midleton Very Rare Silent Distillery Collection Chapter One tasting note

Nose: Resinous, refined and slightly funky from the sherry influence, the nose begins with fresh leather, ancient oak and sweet, aromatic nutmeg. Orange boiled sweets, grapefruit peel and pineapple drenched in syrup adds the fruity element you would expect from a Midleton distillate of this age. Toffee pennies, peppermint and honey roasted peanuts bring complex sweet notes before the sherry cask takes hold with stewed plums, blackcurrant jam and sultanas. Soft touches of earthy peat and fresh herbs add depth throughout.

Palate: A rasp of oak spice emerges at first before a triumphant tropical fruit note takes centre stage. It’s honestly phenomenal. There’s plenty of aromatic winter spice, black fruit and salted caramel in the mid-palate before more of that fragrant and floral peat emerges among herbal resins, rancio, black tea and potpourri. Hints of golden cereals and citrus zest are present in the backdrop. 

Finish: Long, so very long. It’s still going. And going. There are savoury notes of oak and black pepper which complement that incredible tropical fruit element that carries into the finish among some minerality.

Overall: It’s remarkably well measured and has so much presence. The way Midleton distillate matures with so much resinous and fruity notes means the woody elements can never take hold, while the influence of the sherry cask and peated malt are also balanced beautifully. 

 

 

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The Nightcap: 6 December

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The countdown is on. It’s December and there are only so few editions of The Nightcap left for 2019 – let’s enjoy them! December has arrived, and while some people…

The countdown is on. It’s December and there are only so few editions of The Nightcap left for 2019 – let’s enjoy them!

December has arrived, and while some people are counting down to Christmas, other people are counting down to something completely different, though the event occurs on the same day. I am of course talking about Roast Potatocalypse. The day roast potatoes fear the most. So eagerly I await the day, but to pass the time, let us indulge in another edition of The Nightcap!

Over on the blog #WhiskySanta was feeling particularly festive as he made Bunnahabhain 40 Year Old his Super Wish this week, while we began to tuck into our Drinks by the Dram’s Whisky Advent Calendar. Check out each day (#1, #2, #3, #4, #5) to see which delightful dram hid behind each window and for a fabulous Q&A with a key figure at the distillery. Elsewhere, we announced the winner of our Jarrod Dickenson competition and revealed what Dram Club members can expect from December, before Adam cast a spotlight on Ron Izalco. Henry, meanwhile, got stuck into some of 2019’s best drink books and an exotic flavoured gin inspired by a Dutch explorer for our New Arrival of the Week as Annie Hayes hung out with Sir Ranulph Fiennes to talk rum, as you do, and still found time to enjoy a Hard Seltzer.

Now let’s press on, the Nightcap awaits!

The Nightcap

Richard Paterson created the impressive bottling from two ex-sherry casks filled in 1951!

The Dalmore unveils rare 60 Year Old single malt Scotch whisky

There is only one way to celebrate 180 years of creating delicious whiskies, with a limited-edition pink gin. Just kidding. The Dalmore has marked the occasion by releasing a spectacular 60-year-old single malt whisky. The Dalmore 60 Year Old was created by master distiller Richard Paterson, who reunited two extremely rare ex-sherry casks from six decades ago which were first filled with spirit first distilled on 7th June 1951. The two twin casks were the last of the Mackenzie era when the Mackenzie clan owned the distillery, which ended in 1988 when Colonel Hector ‘HAC’ Mackenzie passed away. Under their stewardship, The Dalmore established long-standing relationships with suppliers to source casks that remain to this day and took the decision to adorn each decanter with the distinctive Royal stag. “Over the course of the past 180 years, The Dalmore has constantly strived for perfection, setting the standards for many other whisky makers today. The Dalmore 60 Year Old is a fitting tribute to the masterful talents of our distillers past and present, who have all helped to create an incredible body of work,” said Paterson. “For me personally, nurturing and caring for these two casks has been a true labour of love. The reunion of the two spirits has produced an unforgettable whisky that is truly greater than the sum of its parts.” The Dalmore 60 Years Old is limited to just one decanter, which will be unveiled at an exclusive celebration at The Dalmore’s Highland home, before embarking on a global tour to Shanghai, Los Angeles, Taipei, and London. Further details will be announced in due course, which you can find on the Dalmore website.

The Nightcap

The Times Series 52 Year Old Single Cask Finish

Royal Salute launches The Times Series 52 Year Old Single Cask Finish

Royal Salute and insanely old whisky fanatics, hold onto your hats. “Amplified and way more luxurious than anything before,” is how master blender Sandy Hyslop introduced the brand new Royal Salute expression, The Times Series 52 Year Old Single Cask Finish. This has been a labour of love and immense skill, periodically sampled every 18 months. At 38 years old, Hyslop decided not to bottle the whisky, oh no. He decided it was time to move it to another cask to be finished for 14 more years in American oak. “I desperately didn’t want the cask influence to be too much here,” Hyslop tells us. You’d be forgiven for thinking that over five decades in oak would result in a dry and woody whisky, but this is anything but. It dances between sweet and spicy, with the hallmark Royal Salute syrupy pear notes in there too. When we headed to a mysterious clock tower in St. Pancras to try it (Time Series, clock tower… we see what you did there Royal Salute), we were the only group outside Hyslop and his blending team to try have tasted the liquid in its finished form, which is pretty mind-boggling. Enough of that, we’re sure you’re eager to know how it tastes. The nose is sweet, thick and juicy, with plums, dark chocolate, ginger, cinnamon. The palate is mouth-coating to another level, revealing sweet liquorice, pears in syrup, orange marmalade and candied ginger, with a finish which goes on for almost as long as the whisky was aged itself! Of course, the spectacular whisky is presented with in an individually-numbered hand-blown Dartington Crystal decanter, alongside a stunning box featuring five layers of wood, each representing a decade of the blend. Whisky collectors, this one’s for you. There’s only 106 bottles, and if you have a spare $30,000 burning a hole in your bank account, we’d thoroughly suggest trying it.

The Nightcap

Wright Brothers gin, worth shelling out for

Wright Brothers launch Half Shell Gin

When sustainability and delicious boozes come together, it makes us very happy here at MoM Towers. So, when we were invited to try the new Half Shell Gin from Wright Brothers, made with reused oyster shells from the London-based restaurant group, we jumped at the chance, hook, line and sinker! To create the spirit, Wright Brothers partnered with The Ginstitute distillery of West London, using the thousands of oyster shells which the restaurant goes through each year. “We use Carlingford oyster shells, which are cold-macerated in neutral spirit and then distilled,” says Ivan Ruiz, Wright Brothers beverage manager. “We then add a percentage of the distillation to the gin. The oyster-shell taste is then balanced with a kelp seaweed, and other ingredients like juniper and Amalfi lemon. The result is a savoury gin with high mineral notes and a pink pepper finish.” We can absolutely vouch for that, it was thoroughly delicious. The outstanding seafood was accompanied by a G&T and a Martini, both showcasing Half Shell Gin. The Martini is an absolute winner, slightly savoury, well-balanced and exceptionally smooth. Visually, it’s an absolute joy, and seeing hundreds of oysters served up while we were sitting at the bar sipping on the very gin made from the shells is pretty cool. “We’d thought about creating our own wine, but we feel gin, especially this gin, reflects both our restaurants and the city we call home,” says Robin Hancock, co-founder of Wright Brothers. You can grab a bottle of your own at Wright Brothers restaurants, or choose to sip it in their wonderful cocktails.

The Nightcap

Congratulations, guys!

Irish Distillers takes home the World Whiskey Producer of the Year trophy

It’s fair to say Irish Distillers had a good time at the International Wine and Spirits Competition in London last week. It scored the highest number of medals across its portfolio of Irish whiskeys throughout the 2019 awards season, beating distillers from Japan, Ireland and the USA. Midleton Distillery claimed 24 award wins, including the Worldwide Whiskey Trophy for Redbreast 12 Year Old, while there was gold medals for the Powers Three Swallows release, Powers John’s Lane 12 Year Old, Redbreast 15 Year Old and Red Spot 15 Year Old. Jameson Cooper’s Croze and Midleton Barry Crockett Legacy also scored 98 points out of 100, as Irish Distillers ended the evening with the most Gold Outstanding honours within the Irish whiskey category. But above all that, the Irish whiskey producers were given the prestigious title of World Whiskey Producer of the Year. “We are honoured to be recognised as World Whiskey Producer of the Year by one of the most respected awards bodies, and to see such outstanding results across the portfolio,” said Tommy Keane, production director at Irish Distillers. “This trophy is a tribute to the incredibly hard-working passionate and skilled craftsmen and women at Midleton – 2019 has truly been a landmark year for Irish Distillers.”

The Nightcap

Now that’s what we call an immersive floral installation

St. Germain at Heddon Street Kitchen

We know that it’s dark and cold, but one of the best things about winter is all the awesome festive pop-ups! The latest one we popped along to was St-Germain’s Winter Bloom Experience at Gordon Ramsay’s Heddon Street Kitchen. The immersive floral installation is golden, shiny and full of fairy lights and all things elderflower. We were told that the semi-dried flowers even have to be touched up every couple of weeks, which is more attention than we give our house plants. Each of the four serves has a suggested food pairing, created in collaboration with the team at Heddon Street Kitchen. Our personal favourites were the cockle-warming Cidre Chaud (St. Germain, Calvados, cider, star anise and lemon) and the light, refreshing Winter Spritz (St. Germain, Prosecco and soda). If you love elderflower like nothing else, this is the spot for you, though serves like Le Grand Fizz (St. Germain, Grey Goose vodka, lime and soda) aren’t overwhelmingly floral if you’re not mad for it. You’ll find the cosy floral hideaway at the restaurant all throughout the month of December. Perhaps a spot to keep in mind to treat yourself to a post-Oxford Street Christmas shopping session. 

The Nightcap

Responsible and festive, you don’t often pair those two together!

Beer brewed with recycled Christmas Tree needles launched

Being both sustainable and festive isn’t easy, but Lowlander Beer has managed with a Winter IPA brewed with recycled Christmas tree spruce needles. Part of the zero-waste ‘From Tree to Tipple’ campaign from the award-winning Netherlands Botanical Brewery, The Winter IPA is the result of last year’s initiative which collected unwanted Christmas trees to turn into beer. This year the brand has gone one further and made its Christmassy creation available to purchase as a gift pack from Not On The High Street and from other retailers throughout December. The profile of the beer isn’t dark and heavy as you would suspect from a wintery beer, but instead, it’s a light, refreshing White IPA brewed with juniper berries alongside the unconventional spruce needles. Expect a piney aroma alongside the hoppy & light citrus character. Over six hundred kilos of needles were needed to produce the 2019 batch of Winter IPA. Although only the needles were needed to brew Lowlander’s Winter IPA, the brewery reused every piece of the donated trees in limited-edition products, including bottles of a new creation: Lowlander Botanical Brut, a limited-edition sparkling beer made with spruce and Champagne-inspired Riesling yeast, available in the UK from 2020. Commenting on the release, chief botanical officer Frederik Kampman said, “Every December, about 2.5 million real trees bring Christmas spirit into our homes. By New Year, most of these end up in the chipper, on bonfires or piled at the roadside. We have found another use for them: in beer.” 

The Nightcap

The lovely, lovely Brora whisky on offer made us excited for the silent distillery’s future

Brora ramps up 200th-anniversary celebrations

What a year it’s been for silent Highland Scotch whisky distillery Brora. The momentum first got going back in 2017 when parent company Diageo announced it was going to reopen both Brora and Port Ellen, the iconic distillery over on Islay. Then, in August this year, we got word of a very special 40-year-old expression, developed to commemorate Brora’s 200th birthday (more on this shortly). And just last month, the distillery’s historic stills were whisked away for refurbishment – bringing that all-important reawakening a significant step closer. So when we were invited to a dinner earlier this week to celebrate it all, we just had to be there. Also in attendance were senior archivist, Jo McKerchar, and the Brora master distiller to be, Stewart Bowman. We looked at plans for the restored site (pop September 2020 in the diaries, folks), historical documents from the old distillery, and basically, had a thoroughly lovely time (and yes, we did get to taste that 40 year old – it’s rounded, and elegant, and like the robust smokiness of Brora but dressed up in a black-tie gown or tuxedo. We liked. A lot.). 2019 shall forever be known as the Year of Brora – until 2020 comes around and the closed distillery reawakens from its slumber. Bring it on!

The Nightcap

The biodegradable drinking straw is made from up-cycled agave

Jose Cuervo unveils ‘sustainable’ agave straws

We all now know plastic is the scourge of the earth (all hail David Attenborough), and that single-use bits and bobs are now about as welcome as the common cold. But sometimes straws are just, well, needed. Step forward Tequila brand Jose Cuervo, with has teamed up with scientists at BioSolutions Mexico and production types at Mexico-based PENKA to create agave-based straws! They’re made from upcycled agave fibres (the raw material in Tequila and mezcal) and are biodegradable. More than a million of them will be sent out across the US and Mexico in 2020. “The past, present, and future of Jose Cuervo is tied directly to the agave plant – without it, we would not exist,” said Alex Coronado, Cuervo’s master distiller and head of operations. “As the Tequila industry worldwide booms, it is our company’s responsibility as the leader to take care of the agave plant and ensure that we are producing tequila sustainably. It takes an average of six years to grow an agave plant before it is mature enough to harvest for Tequila production, and we have to be committed to finding more ways to use the agave fibres once that process is complete. The debut of our biodegradable, agave-based drinking straws is a new step in utilising the full potential of this very special Mexican agricultural product.” Now, agave is far from the most sustainable raw material for spirits (think: monocrop issues and all the energy requirements for all that processing), but it certainly seems like a mammoth step in the right direction. Good riddance, plastic!

The Nightcap

Head winemaker at Graham’s Charles Symington

Graham’s releases 1940 tawny Port

Now you have the chance to taste a little bit of history as Port house Graham’s, part of the Symington group, has announced the release of single harvest tawny from 1940, a blend of two exceptional casks. Wine from this period are extremely rare not just because of their great age but because with Port’s principal markets at war, very little was made.  Head winemaker at Graham’s Charles Symington commented: “It’s not often we have the privilege of releasing a wine that is eight decades old and bears such unique historical significance. The 1940 Single Harvest really is remarkably refined and balanced, offering a reflection not only of the quality of the original wine but the skilled care and attention it received from our forebears.” Yours for around £800. Interest in old single harvest tawny Ports (aged in barrel as opposed to vintage Ports that are aged in bottle) has been increasing in recent years. The 1940 is the final part of Graham’s Cellar Master’s Trilogy of old tawnies, joining the 1994 and 1963. It’s old but not as old as the special 90 year old tawny the company released in 2016, a blend of three years 1912 , 1924 and 1935, released to celebrate the Queen’s 90th birthday.

The Nightcap

Keep your gin safe with an Edinburgh Gin Safe

And finally. . . protect your precious boozes with the Edinburgh Gin Safe

Tired of flatmates or relatives pilfering your favourite gin? Well, the boffins at Edinburgh Gin have come up with the answer: a gin safe. Available directly from the distiller, your safe consists of a clear box containing a full bottle of gin with the contents safely secured with a padlock. The only way to open it is to solve a cryptic puzzle which will reveal the combination for the lock. Neil Mowat, UK marketing director of Edinburgh Gin, commented: “Given Christmas is the most wonder-filled time of the year, we wanted to bring some of our own distinctive magic to the concept of gift wrapping with our gin safes. Designed with the ultimate gin fan in mind, they’ll be able to see the reward that’s waiting for them, but they’ll need to have a little fun first to unlock the wonder within.” All great fun but we can see a problem that owners might forget the code after too much eggnog. . . or perhaps that’s the point. 

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Competitions

The winner of our Yellow Spot competition is…

No Comments on The winner of our Yellow Spot competition is…

To celebrate all things Emerald Isle this month, we offered you the chance to win some outstanding and rare Irish whiskey. The competition has now concluded, and we have a…

To celebrate all things Emerald Isle this month, we offered you the chance to win some outstanding and rare Irish whiskey. The competition has now concluded, and we have a victor.

You might remember way back about a fortnight ago when it was St. Patrick’s Day that there was a Master of Malt competition taking place to give away some sensational Irish whiskey.

The rules were simple: snap up a bottle from the sublime Spot range before 23:59 Fri 22 March and you would be automagically be entered into the draw (we also offered you £5 off Yellow Spot, because we’re just that lovely).

The prize? Two incredible bottles of money-can’t-buy Yellow Spot whisky. Two very rare bottles. The only two there are, in fact. That’s how delightfully rare this whisky is.

Now the competition has ended and we’re delighted to announce that both bottles are on their way to one extremely lucky person.

The winner of our Yellow Spot St. Patrick’s Day 2019 Competition is…

Toby Coe, from Exeter!

Yellow Spot St. Patrick’s Day 2019

The two bottles of Yellow Spot were drawn from a single cask selected by master blender Billy Leighton

Thank you to all who entered, and massive congratulations to our winner. Don’t be afraid to invite your favourite online retailer round for a dram or two every now and again…

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Jameson launches second Bow Street 18 Years Cask Strength

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The only cask strength Jameson is back! It pays homage to Jameson’s Dublin heritage by being matured at Bow Street, home of the old distillery. We travelled to Ireland to…

The only cask strength Jameson is back! It pays homage to Jameson’s Dublin heritage by being matured at Bow Street, home of the old distillery. We travelled to Ireland to learn more. . . 

Irish whiskey fans, rejoice! From August 2019, you will be able to get your hands on a new batch of Jameson Bow Street 18 Years Cask Strength. Bottled at 55.1% ABV without chill-filtration, the blend of pot still and grain Irish whiskeys was produced by Irish Distillers in Midleton Distillery where it was matured initially for 18 years in both ex-bourbon and ex-sherry casks under the watchful eye of master blender, Billy Leighton.

In January 2018, the expression was then re-casked in first-fill ex-bourbon American oak barrels to finish its maturation for a final six to 12 months in Dublin’s only live maturation house in the brand’s original home in Bow Street. The warehouse, which you can see for yourself if you tour what is now an award-winning visitor centre, can only hold 84 casks at any one time. Now that’s small batch.

Bow Street 18 Years Cask Strength

The whiskey is a celebration of Jameson’s Dublin heritage

Leighton commented on the process: “As a tribute to the Jameson distilling legacy in Smithfield, we’ve introduced some methods that would have been employed in days past. The final maturation period in Bow Street is our nod to the traditional ‘marrying’ method – I like to think of the whiskey getting engaged in Midleton and then ‘married’ in Dublin! It brings the provenance and heritage back to where it started. It is the ultimate expression of Jameson.”

Jameson Bow Street 18 Years Cask Strength comes in a luxury bottle that features 18 facets, one for each year of maturation, housed in a wooden box that references the traditional pot stills used in distillation. A special copper coin underneath the bottle provides fans with the opportunity to access an exclusive online portal where they can explore the whiskey’s story.

Bow Street 18 Years Cask Strength

Good cheesy fun at Bow Street Distillery

To mark the launch, Jameson has partnered with artisan Dublin cheesemonger Loose Canon to create a luxurious whiskey and cheese pairing and you’re encouraged to do the same this St. Patrick’s Day.

Leighton commented: “I hope that together with our cheese and whiskey pairings, we can inspire the world to match the strong flavours of the Jameson 18 family with the perfect Irish cheese to make a truly unique St. Patrick’s Day experience.”

Jameson Bow Street 18 Years Cask Strength will be available in the USA, Europe and Asia at an RRP of €240.

Bow Street 18 Years Cask Strength

Jameson Bow Street 18 Years Cask Strength Batch 2

 

Tasting note by Billy Leighton, master blender at Midleton Distillery:

Nose: Rich wood-driven influence with deep toffee notes and spice.

Taste: Toffee and oak remain consistent with hints of leather and vanilla along with a subtle sherry nuttiness creating depth and complexity.

Finish: Long and full with the sweet toffee notes slowly fading while the toasted oak and spice linger throughout until the very end.

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News

The Nightcap: 23 November

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Oh hi there! You’ve made it to Friday. Well done. Pull up a comfy chair, pour a dram, and give yourself a pat on the back. But before you go…

Oh hi there! You’ve made it to Friday. Well done. Pull up a comfy chair, pour a dram, and give yourself a pat on the back. But before you go into full weekend mode, we have one final thing for you. Yep, The Nightcap is here with the week’s booziest developments in one super handy digestif!

In case you hadn’t noticed, we’ve has LOADS on this week. MoM Towers has been buzzing. It all kicked off on Monday with #WhiskySanta’s Craigellachie 31 Year Old Super Wish! Then we received news that Brora’s stills have been whisked off for refurbishment ahead of the closed distillery’s reawakening. We kicked off our mega Ardbeg competition on Tuesday (want to visit the distillery? Check out the blog post and you could be away on a jet plane/train/ferry/alternative mode of transport and be Islay-bound!)

That’s not all. Henry got the lowdown on Dandelyan’s final cocktail menu (sob!), Annie caught up with New York Distilling Company’s Allen Katz, and we introduced our delicious Black Friday Deals. Oh, and we launched a tiny little thing called Master of Malt Auctions… Phew.

Enough for now, though. Here are the other need-to-know drinks stories from the week that was!

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Irish Whiskey News

Introducing: Two new Method and Madness bottlings!

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Irish Distillers has expanded the Method and Madness range once more with two new and typically experimental Irish whiskeys… Anyone for Virgin Hungarian Oak finish or Ruby Port Pipe Single…

Irish Distillers has expanded the Method and Madness range once more with two new and typically experimental Irish whiskeys… Anyone for Virgin Hungarian Oak finish or Ruby Port Pipe Single Cask?

The very point of the Method and Madness brand, first launched in 2017, has always been to push boundaries and innovate. So it should be no surprise to any Irish whiskey fans that two fabulous and unconventional new bottlings are poised to launch from the famed Midleton Distillery: Method and Madness Single Pot Still Irish Whiskey Finished in Virgin Hungarian Oak and Method and Madness Single Pot Still Irish Whiskey 28 Year Old Ruby Port Pipe Single Cask.

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Irish Whiskey Whisky

Midleton Very Rare 2017 and Cask Circle – own a bottle or a cask!

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Midleton Very Rare 2017 launches in Ireland The distillery also launches The Midleton Very Rare Cask Circle, its new cask ownership club Jake tastes Midleton Very Rare from every decade,…

  • Midleton Very Rare 2017 launches in Ireland
  • The distillery also launches The Midleton Very Rare Cask Circle, its new cask ownership club
  • Jake tastes Midleton Very Rare from every decade, including some of these newly available whiskeys

    • Lots of Irish whiskey to talk about here, as well as a bit of a sign off from yours truly, but feel free to skip ahead to the 2017 release, or to find out about more the Cask Circle…

    First off, a bit of housekeeping. Yes, I’m still alive! You’ll no doubt have noticed a plethora of posts from our awesome new content team hitting the blog lately. It’s a team made up of our new editor Kristiane Sherry, fellow new faces at MoM Towers Annie Hayes and Adam O’Connell, and the one and only Sam Smith (he of Tom Hanks’ Big fandom and aversion to flying).

    You’ll notice that my name didn’t feature on that there list. Ooh, mysterious. Suffice to say that I’m still busy doing all sorts at MoM Towers. Emphasis on the busy – that’s how I’m keeping (especially with national present day fast approaching!*). I may chip in with very occasional blog posts going forward (so what’s new, exactly?), but it does rather feel like a passing of the torch moment as I’m typing this. Fitting, then, that this is a post about Irish whiskey, which you may have noticed over the years is one of my favourite topics (see older posts such as Irish Whiskey – Everything You Need To Know! as well as the more recent Spotlight on… Redbreast and interview with Master Blender Billy Leighton).

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