Ce n’est pas un Martini

Dry Martini with olive
Nate Brown
Nate Brown
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This week our contributing writer and bartender Nate Brown channels General Bosquet* following a disappointing Martini experience at a famous London bar.

Stepping into the bar of this St. James hotel feels like stepping back in time. Not way back, not like centuries. More like decades. It has a bit of ‘50s feel at best. ‘80s at its worst. The carpet is so plush one does not walk as much as wade through the room. It’s eerily quiet, despite the two elderly men in a corner. 

Table for three, I whisper. Right this way sir, says the white-jacketed man. Why do they all wear these jackets? I ponder. It’s somewhere between a uniform and a suit of armour. They all look like they’re carrying concealed weapons. 

I reach my table through the heavy silence, and see that I am the first arrival in the back room which opens only for evening service. I stand to remove my raincoat. It’s been one of those awkward autumn days. The rain falls but the temperature is still high. I can’t tell if I’m sweating or damp from the rain. Both, probably. Double moisture to be soaked up by the depth of fabric underfoot.

Nate Brown

Nate Brown, too scruffy for some London bars

“Excuse me, sir”, I’m interrupted. “But we do not allow tee shirts in here”.

“It’s boiling in here”, I protest.

“I’m sorry sir, you’ll have to keep your jacket on.”

I look incredulously around the empty room, wondering who I could possibly be offended by my wearing of a tee shirt. Perhaps the walls are of a certain sensibility, the chairs perhaps? No, it’s definitely the carpet. That bastard mangrove of a carpet hates the sight of flesh.

I have no choice but to relent. I’m meeting two friends, L & C, here for the signature Martini. Apparently nowhere does them quite like here. I’ve been before. I hadn’t rushed back, but the gents insisted. C’s gin is on the menu and he’s quite proud. The damp raincoat stays on. 

Apparently this where Ian Fleming came to write some of his Bond novels and allegedly create the Vesper cocktail a shaken, gin heavy Martini with a pointless measure of vodka. No shaken martinis are any good. The only decent thing about that drink is the Kina Lillet, and you can’t even get that anymore. Nevertheless, here we are, about to spend £20 a pop on the speciality of the house. 

The Vesper Martini, shaken, not stirred

When they arrive we order said Martinis. A generous amount of time later, a rickety wooden trolley is lugged through the carpet. On board are a few enormous frozen Martini glasses. The kind that feel like danger in the hand. We are asked how we like ours. A request for a dry Martini results in a few dashes of house vermouth bounced into the glass, before being discarded ceremoniously onto the carpet. Right, so I can’t wear tee shirt but you can playfully toss vermouth onto the floor? In fairness, I bet you could empty an entire bottle onto this spongy floor without so much as a damp patch. 

The quantities of frozen gin poured directly into the glass are colossal. No shaking here, that’s for damn sure. What an imagination that Fleming chap must have had then. I mean, who else could have dreamed up a Scotch-swilling, colonialist, oft-racist, mass-murderer in this place? I look back towards the bar where now a few elderly, straight-backed chaps in striped suits have gathered and are proudly guffawing.

After ten minutes drinking we still haven’t emptied our glasses and the gin is now warm. It’s a grin and bear it moment to finish. We order another, or rather the first bucket of gin does. After two we are cut off. I’ve heard stories of two gin ambassadors coming here and finishing six of these mammoth Martinis on a few occasions. That seems unbelievable. I know I’d be my unwelcome self after that sort of session. I’d probably be requesting Meatloaf on the bar stereo. The embarrassment would linger. But then again, maybe that’s why neither of those chaps live in London anymore. 

As we leave, I can understand the two Martini limit. The afternoon is still blindingly bright, it’s still raining, and, in the lingo of the location, we are a bit spiffy. I suggest a beer to bring us back to reality. Drinks here are indeed worthy of their notoriety. Only it’s not really a Martini, is it?

*Who following the Charge of Light Brigade said: “C’est magnifique mais ce n’est pas la guerre, c‘est de la folie” – “It’s magnificent but it’s not war, it’s madness.”

Nate Brown has owned and operated spirit specialist cocktail bars in London for the better part of a decade. He’s a regular speaker on industry panels, a judge for various spirit awards and has been known to harbour an opinion or two.

5 Comments

Tom McGuinness
Tom McGuinnessOctober 9, 2019
I think Duke’s is a case study in picking a thing, and doing it well. Quality and simplicity is hard to find these days, and lot’s of bars and restaurants try to add value through complexity – so it’s refreshing to find somewhere focussed on one simple thing, and doing it to the highest standard possible. The lemons, liquids and serve are all exceptional, and I personally really enjoy the relative formality. Despite being somewhat formal, I’ve always found the place extremely welcoming, and Alessandro a scholar and a gent.
Ben Ellefsen
Ben EllefsenOctober 8, 2019
Personally I couldn’t disagree more with the sentiment behind this post. I’ve always found the hospitality at Dukes to be excellent, and the Martinis are legendary (albeit extremely dangerous). In the words of Churchill – “Glance at the Vermouth bottle briefly whilst pouring the gin freely”. The pageantry of the serve and the traditional nature of the venue and setting are sort of the point of the whole thing. It’s intentionally over the top, and all the more wonderful for it. Now. Is 14:00 too early for a Martini? Yes. Yes I think it might be. Possibly.
Alessandro Palazzi
Alessandro PalazziOctober 8, 2019
Nasty unnecessary review of someone who does not understand the cocktail, I’m very disappointed with you Master of Malt to publish this actually bollocks.
Kristiane Sherry
Kristiane SherryOctober 8, 2019
Hello Alessandro, Thank you for commenting – a recent editorial shift here at Master of Malt has been to publish pieces from external contributors, where they can share their drinks views and experiences – and Nate is one of them. As a retailer, we can only really offer one perspective on the industry, but by opening up to contributors we can be a useful platform for a lot of different views. We want the blog to be a forum where our writers can share their opinions, and it’s ok for these opinions to be diverse and different, and sometimes controversial. It’s a post that has certainly split opinion internally, too – but this, for me as an editor, is a sign of interesting writing. Lots of us really enjoy the bar and have had hugely positive experiences there – myself included, and also other colleagues. Represented here is one view – but of course it’s not the only one. Kristiane

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