It’s interesting, and wonderful, to be in the company of whisky lovers. The air full of the bonhomie and personality that make a whisky show such great fun. There’s also a common trait amongst the enthusiasts; an ingrained appreciation for life’s small luxuries and, ultimately, the understanding that life’s luxuries all take time to reach fruition, and take time still to enjoy fully.
Without getting too “zen” about it all, it can be very satisfying to allow yourself to slow down and relax once in a while, and it is this strange “enlightenment” (too far?) that poses as a very fitting metaphor in James Graham’s latest play, The Whisky Taster.
With a demanding London as a bustling backcloth, Graham’s narrative follows Nicola and Barney, both marketing professionals, attempting to boost sales of a vodka brand.
Nicola, played by Kate O’Flynn, embodies the extroverted, fearless saleswoman persona. Samuel Barnett’s Barney is her polar opposite, whose shy reticence is compensated by the double-edge blade of his synaesthesia: a condition whereby sensory observations manifest themselves as colours.